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Cameron Kerr

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Retina, 2020

Retina, 2020

Red Cedar, 50 × 47 × 34 inches

The Rocks Of Hornby Island,  2020

The Rocks Of Hornby Island, 2020

Ink Jet prints on hinged plywood

94 × 84 inches

ZigZag Yellow, 2020

ZigZag Yellow, 2020

Red cedar and enamel,

68 x 44 x 22 inches

Trapp Projects exhibition 2020

Trapp Projects exhibition 2020

Ford Mustang, 2019

Ford Mustang, 2019

Archival pigment print on Linen,

36 x 50 inches,

During research following the destructive 2004 forest fire near Kamloops, British Columbia, I photographed this object found by a family in the gravel outside their burned home. An aluminum engine component from a Ford Mustang had melted into the sand, taking the cast form of an ant’s nest.

Quasicrystal In The Clearcut, 2018,

Quasicrystal In The Clearcut, 2018,

Archival inkjet print

36 x 48 inches

Seine Twine And Needle, 2019,

Seine Twine And Needle, 2019,

inkjet print

36 × 48 inches,

Rhododendron Leaf Thought Correlation With Garden, polychromed over mixed wood, 2020

Rhododendron Leaf Thought Correlation With Garden, polychromed over mixed wood, 2020

Grid in Nature, 2020

Grid in Nature, 2020

Inkjet print

40 × 50 inches

Grid In Nature, Brooks Bay, Vancouver Island, 2020,

Grid In Nature, Brooks Bay, Vancouver Island, 2020,

inkjet print

40 × 50 inches

Heater with hallucination Print, 2018

Heater with hallucination Print, 2018

Cedar and silkscreen on paper,

Three folding sculptures to be titled, inkjet prints on plywood.

Three folding sculptures to be titled, inkjet prints on plywood.

Screen, 2016

Screen, 2016

Wood, epoxy paint

73 x 55 x 22 inches

Bone of Contention, The Poems of Agnus Martin. inkjet on plywood and part of a found door. 2020

Bone of Contention, The Poems of Agnus Martin. inkjet on plywood and part of a found door. 2020

Taylor Way Over Pass Model. 2018

Taylor Way Over Pass Model. 2018

inkjet print, wood model

This is abstract rendering is based on the concrete structure of an overpass I would drive under on the way to and from the studio in West Vancouver everyday.

Taylor Way Overpass, 2018

Taylor Way Overpass, 2018

Yellow cedar

Zigzag Tan With Sausage Finger,  2017

Zigzag Tan With Sausage Finger, 2017

Resin on wood and wood

QE Plaza exhibition Vancouver, Granite and marble, 2012

QE Plaza exhibition Vancouver, Granite and marble, 2012

Barriers, 2005

Barriers, 2005

Vancouver Island marble

144 × 96 × 24 inches

Quartz, Vancouver Island marble, 2014

Quartz, Vancouver Island marble, 2014

Book-end Barriers Georgia Street Vancouver . Vancouver Island Marble, 2005

Book-end Barriers Georgia Street Vancouver . Vancouver Island Marble, 2005

Bench Block Emily Car university, Vancouver Island marble, 2005

Bench Block Emily Car university, Vancouver Island marble, 2005

Howe Sound Lookout, inkjet on cotton paper, 2005

Howe Sound Lookout, inkjet on cotton paper, 2005