Retina, 2020
Red Cedar, 50 × 47 × 34 inches
The Rocks Of Hornby Island, 2020
Ink Jet prints on hinged plywood
94 × 84 inches
ZigZag Yellow, 2020
Red cedar and enamel,
68 x 44 x 22 inches
Trapp Projects exhibition 2020
Ford Mustang, 2019
Archival pigment print on Linen,
36 x 50 inches,
During research following the destructive 2004 forest fire near Kamloops, British Columbia, I photographed this object found by a family in the gravel outside their burned home. An aluminum engine component from a Ford Mustang had melted into the sand, taking the cast form of an ant’s nest.
Quasicrystal In The Clearcut, 2018,
Archival inkjet print
36 x 48 inches
Seine Twine And Needle, 2019,
inkjet print
36 × 48 inches,
Rhododendron Leaf Thought Correlation With Garden, polychromed over mixed wood, 2020
Grid in Nature, 2020
Inkjet print
40 × 50 inches
Grid In Nature, Brooks Bay, Vancouver Island, 2020,
inkjet print
40 × 50 inches
Heater with hallucination Print, 2018
Cedar and silkscreen on paper,
Three folding sculptures to be titled, inkjet prints on plywood.
Screen, 2016
Wood, epoxy paint
73 x 55 x 22 inches
Bone of Contention, The Poems of Agnus Martin. inkjet on plywood and part of a found door. 2020
Taylor Way Over Pass Model. 2018
inkjet print, wood model
This is abstract rendering is based on the concrete structure of an overpass I would drive under on the way to and from the studio in West Vancouver everyday.
Taylor Way Overpass, 2018
Yellow cedar
Zigzag Tan With Sausage Finger, 2017
Resin on wood and wood
QE Plaza exhibition Vancouver, Granite and marble, 2012
Barriers, 2005
Vancouver Island marble
144 × 96 × 24 inches